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Festival XLII

Festival 42
February 9-13, 2010
Dixie State College of Utah

Information about festival activites will be posted at http://www.kcactf-8festivalinfo.org as it becomes available.

EARLY BIRD Registration Deadline is soon!!!
Final day to register for festival with the early bird pricing is January 15, 2010. Go to http://www.kcactf-8.org/form_registration.html to register.

Festival Hotel Accommodations
The Ramada and the Hampton Inn are full for full week bookings. The Comfort Suites and Best Western Coral Hills have rooms remaining on the block.

Best Western Coral Hills (Host Hotel)
$99/night for up to quad occupancy
125 E. Saint George Blvd.
St. George, UT 84770
435-673-4844
Contact: John
Distance from campus: 1.3 miles

Comfort Suites St. George (Not a Host Hotel)
$99/night for up to quad occupancy
1239 S. Main Street
St. George, UT 84770
435-673-700
Contact: Don
Distance from campus: 2 miles
Note: no formal shuttle to campus

MORE Festival Workshops NEEDED
We have slots for over 80 workshops. If you are interested in conducting a workshop please go to http://www.kcactf-8.org/form_workshop.html. Questions about workshops? Email Anthony Marotta at marotta@suu.edu

Festival Student Program Participation

  • Irene Ryan Scholarship Auditions. Irene Ryan nominees will be posted as soon as we receive the response form. You can view the nominees at www.kcactf-8.org/acting_ryan_nominees.html. In addition to festival registration, you must fill out an intent to participate form if you plan on participating in the auditions. The Intent to Participate Form can be found at www.kcactf-8.org/form_ryans.html.
  • Design and Technology Finals. Nominees are are posted based on the original registration form. Review the nominees at www.kcactf-8.org/design_tech_nominees.html. In addition to festival registration, you must fill out an intent to participate form if you plan on participating in the Design and Technology Exhibit and Presentations. The Intent to Participate Form can be found at www.kcactf-8.org/form_design_finals.html.
  • National Critics Institute. A student does not need to be nominated by a respondent or faculty member. There is no pre-screening of writing or resumes. Preferably students will sign up ahead of time so that adequate space can be planned for, but they may sign up when they arrive at the festival. To sign up now please fill out the Intent to Participate form at www.kcactf-8.org/form_critics.html.

If you need anything KCACTF related in the Southwest, please don't hesitate to ask!

Thanks so much,

John H. Binkley
Department of Theatre
California State University Northridge
18111 Nordhoff Street
Northridge, California 91330-8320
office: (818) 677-6497
fax: (818) 677-2080
john.h.binkley@csun.edu

 

We’re excited about the increase of new plays and devised theatrical pieces in our region.  Some schools have re-imagined plays, or taken a new creative approach with an older play.  While we applaud the imagination and creativity that goes into such work, we remind you that any change to a playwright’s text must be approved by the playwright, and permission granted in writing.  We cannot cut or change lines, alter the structure of the play, or essential stage directions without permission.  Playwrights, agents and theatrical publishing companies are approachable and willing to work with us to obtain that permission.  We should start that negotiation well before rehearsals begin.  

In light of the fact that theatre is a collaborative art, we’re giving you access to “The Playwright’s Bill of Rights” discussed by Gary Garrison, an Executive Director of the Dramatists Guild of America, at our festival last year.  This document is not intended to limit your creative initiative, but to help make you aware of copyright issues, and to encourage you to invite the playwright as an active member of the collaborative team.  We’ve heard horror stories of playwrights being locked out of that process once the final draft is completed.  This document does not seek to give the playwright unreasonable control, but to encourage an active collaboration between the whole creative team.  

Critic's Institute
Directing
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