KCACTF Region VIII
spacer About KCACTF
Abouit KCACTF about us contact us site map shim
blank
Home Awards Productions Regional Organization Festival Respondents Contact Information blank
Festival XLII

 

Special Thanks to everyone who helped make Festival 44 a success!

FESTIVAL 44 - AWARDS RESULT

Irene Ryan Scholarship Auditions National Finalists
Representing Region VIII at the National Festival

Anthony Cloyd - Santa Monica College
Assisted by Celia Rivera

Becca Ingram - Brigham Young University
Assisted by Ted Bushman

Alternate: Myles Bullock - California State University, Fresno
Assisted by Deja Thompson

Best Partner: Jen Stewart - Brigham Young University

National Partners of the American Theatre - Classical Acting Award
Benny Isaacs - Brigham Young University

LMDA/KCACTF Student Dramaturgy Fellowship
Representing Region VIII at the National Festival
Wendy Gourley - Utah Valley University

Jenny Huffman - Brigham Young University (Regional Recognition)
Tanja Blasko - Scottsdale Community College (Honorable Mention)

National Critics Institute Fellowship
Representing Region VIII at the National Festival
Sebastian Roundtree - Phoenix College

Leah Harf - Loyola Marymount University (Honorable Mention)

Region VIII Progam Notes Recognition
Wendy Gourley - Utah Valley University

SDC Student Directing Fellowship
Representing Region VIII at the National Festival
Jeremy Lewis - California State University, Fullerton

Sassan Saffari - MiraCosta College (Honorable Mention)

NATIONAL PLAYWRITING PROGRAM

Award for Actor who Best Served a New Play in Development
Joey Vahedi, California State University-Fullerton, for his performance in Odilia

Award for Actress who Best Served a New Play in Development
Carly Dellinger, MiraCosta College, for her performance in The Letters We Write

Award for Director who Best Served a New Play in Development
Patrick Pearson & Sarah Wilson, representing California State University-Fullerton, for their direction of Odilia


Regional Finalists for the Ten-Minute Playfest

Coral Chambers, from Utah Valley University, for I Love you More

Rebecca Dzida, from Loyola Marymount University, for Foodstuffs

Wendy Gourley, from Utah Valley University, for Mochi

LeShawn Darnell Holcomb, from California State University-Fullerton, for The Letters We Write

Nick Scutti, from Concordia University-Irvine, for The Last Slice

Madhuri Shekar, from University of Southern California, for Fumes and Plumes


Two National Semi-Finalists for the 10-minute Play Selection from Region VIII (Sent to National Office for consideration for Invitation to Festival)

Rebecca Dzida, from Loyola Marymount University, for Foodstuffs

Madhuri Shekar, from University of Southern California, for Fumes and Plumes


Regional Finalists for the One-Act Play Selection (Thanks to directors from these schools who provided a concert reading of the plays.)

Michael Carnick, from University of California-Riverside, for Copper

Vanessa Espino, from California State University-Fullerton, for Odilia

Bidgette Dutta Portman, from University of California-Irvine, for Jinshin Jiko

Sassan Saffari, from MiraCosta College, for Beacons of Hope


National Semi-Finalists for the One-Act Play Selection from Region VIII (Sent to National Office for consideration for Invitation to Festival)

Bidgette Dutta Portman, from University of California-Irvine, for Jinshin Jiko

Sassan Saffari, from MiraCosta College, for Beacons of Hope


National Semi-Finalists for the David Mark Cohen Award from Region VIII

Charles Erven, from Fresno City College, for The Ballad of Chet (On the Eve of His Bliss)

Frederic B. Wildfang, from Fort Lewis College, for We are the Source!

Regional Finalist for the National Partners of the American Theatre Playwriting Award

Beth May, from Arizona State University, for The Woman of the Bridge

DESIGN, TECHNOLOGIES AND MANAGEMENT

Stage Management:
National Fellowship Receipent: Alycia Perez - Santa Monica College
Regional Receipent: Jacob Porter - Utah Valley University
"Best Newbie": Eden Michel - MiraCosta College

KCACTF Award for Design Excellence in Costume Design
Shelby Luke for Peter Pan, Brigham Young University

Andrea Burdzy for Step On A Crack, Utah State University (Regional)
Rachael Lorenzetti for Chemical Imbalance, California State University-Fullerton (Honorable Mention)
Allen Stout & Jannessa Law for Elephant's Graveyard, Utah Valley University (Honorable Mention)

KCACTF Award for Design Excellence in Lighting Design
Jenny Henning for 365 Days, California State University-Fullerton

Milinda Weeks for Our Country's Good, Utah State University (Regional)
AmyAnne Duncan for A Prayer for Owen Meany, California State University-Fullerton (Honorable Mention)
Jaron Hermansen for Eurydice, Utah Valley University (Honorable Mention)
Kristin Neu for Dead Man's Cell Phone, California State University-Fullerton (Honorable Mention)

KCACTF Award for Design Excellence in Scenic Design
Mauri Smith for Step On A Crack, Utah State University

Casey Price for Eurydice, Utah Valley University (Regional)
Andrea Burdzy for The Three Musketeers, Utah State University (Honorable Mention)
Aaron Dilley for The Infernal Machine, Mesa Community College (Honorable Mention)
Bradley Lock for Dead Man's Cell Phone, California State University-Fullerton (Honorable Mention)
Amy Shuffield for Chemical Imbalance, California State University-Fullerton (Honorable Mention)
Carter Thompson for The Elephant Man, Brigham Young University (Honorable Mention)

KCACTF Award for Excellence in Sound Design
Vincent Quan for 365 Days, California State University-Fullerton

Jason Jensen for Othello, Utah Valley University (Regional)
Kami Christiansen for I Love You You're Perfect Now Change, Southern Utah University (Special Recognition)
W. Ryan Creasy for The Wedding Singer, California State University-Fullerton (Honorable Mention)
Jacob Kaitz for A Prayer for Owen Meany, California State University-Fullerton (Honorable Mention)
Lindsay Putnam for Chemical Imbalance, California State University-Fullerton (Honorable Mention)
Bryan Williams for Idiot Box, California State University-Fullerton

KCACTF Allied Design and Technologies Award
Molly Pack (Makeup) for Step On A Crack, Utah State University

Caroline Kennedy (Draper) for Twentieth Century, Utah State University (Special Recognition)
Mara Tunnicliff (Properties) for And Then There Were None, Pheonix College (SPAM)
Vanessa Granillo (Makeup) for The Infernal Machine, Mesa Community College (Honorable Mention)
Mallory Mackay (Makeup, Hair & Masks) for The Elephant Man, Brigham Young University
Daniel Whiting (Technical Direction) for Eurydice, Utah Valley University (Honorable Mention)
Josh Wilson (Technical Direction) for Proof, Utah State University (Honorable Mention)

The Stagecraft Institute of Las Vegas Awards
For Excellence in Technology and Design
TBD

Rafael Jaen Award
Jessica Zavala (Costume)

Region VIII Non-realized Design/Paper Projects

Undergraduate Division Costume Design
Mollly Pack for The Birds, Utah State University
Caroline Kennedy for The Ice Wolf, Utah State University (Honorable Mention)

Undergraduate Division Scenic Design
Mauri Smith for Hamlet, Utah State University

Graduate Division Scenic and Lighting Design
Milinda Weeks for The Ice Wolf, Utah State University

Graduate Division Costume Design
Bethany Deal for Marisol, Utah State University

 

If you need anything KCACTF related in the Southwest, please don't hesitate to ask!

Thanks so much,

John H. Binkley
Department of Theatre
California State University Northridge
18111 Nordhoff Street
Northridge, California 91330-8320
office: (818) 677-6497
fax: (818) 677-2080
john.h.binkley@csun.edu

 

KCACTF News (link to the KCACTF Blog)

 

The Playwright's Bill of Rights

We’re excited about the increase of new plays and devised theatrical pieces in our region.  Some schools have re-imagined plays, or taken a new creative approach with an older play.  While we applaud the imagination and creativity that goes into such work, we remind you that any change to a playwright’s text must be approved by the playwright, and permission granted in writing.  We cannot cut or change lines, alter the structure of the play, or essential stage directions without permission.  Playwrights, agents and theatrical publishing companies are approachable and willing to work with us to obtain that permission.  We should start that negotiation well before rehearsals begin.  

In light of the fact that theatre is a collaborative art, we’re giving you access to “The Playwright’s Bill of Rights” discussed by Gary Garrison, an Executive Director of the Dramatists Guild of America, at our festival last year.  This document is not intended to limit your creative initiative, but to help make you aware of copyright issues, and to encourage you to invite the playwright as an active member of the collaborative team.  We’ve heard horror stories of playwrights being locked out of that process once the final draft is completed.  This document does not seek to give the playwright unreasonable control, but to encourage an active collaboration between the whole creative team.  

Critic's Institute
Directing
Dramaturgy
scholars
Student Leadership
Choose from above

HOME    AWARDS    PRODUCTIONS    REGIONAL ORGANIZATION    FESTIVAL    RESPONDENTS    
CONTACT INFORMATION

Copywright